Improv Tip of the Month: They Want Something

This month’s improv tip is from Shawn Westfall, BossaNova’s Improv Guru:

The characters sitting at the center of our favorite sitcoms, shows, movies, plays, novels, short stories and improv scenes all have one thing in common: they want something.In most cases, they want something desperately. Indeed, that often is what informs the plots of the stories or scenes they are in. Hamlet wants revenge. Will he get it? Willy Loman in Death of a Salesman wants the respect he feels he so clearly deserves, something he feels he’s devoted his life to. Does he get it, in the end? That old “pretentious” actor cliché– the one that has him or her stopping a scene to ask “what’s my motivation?”—is actually useful information for the actor to know, another way of trying to discover what his or her character wants. And anyone who’s ever been part of a production knows that what a character wants in the play isn’t always clear, that what he or she says she wants may have little to do with what he or she actually wants.

Nice to meet you. Please leave me alone.

I give presentations for a living. I teach people how to build trust with others, to make lasting connections, to sell business, to create professional intimacy. My job requires me to interact with strangers a lot. And to be effective I have to model all the interpersonal skills I espouse, all the time. So you’ll appreciate the irony when I say I really hate meeting new people.

Why I got rid of my office daddy

It was a little over 15 years ago when I landed my first big meeting with a very big prospect. I cold-called him via FAX (hey, it was the early 90s). He was a government executive whose name appeared on book covers and in lights at conferences. I was 26 years old, working for an IT consulting firm with a substantial government practice. I wasn’t a business developer; I was just an eager consultant—a newbie—with an idea.